Admissions
Suggested Audition Materials
more under: Suggested Audition Materials
Saxophone
An accompanist is neither required nor provided. You may bring an accompanist at your own discretion.
Undergraduate
- Prepare all major and harmonic minor scales demonstrating the complete normal range of the instrument.
- Choose one etude from Ferling/Mule 48 Studies after Ferling or Berbiguier/Mule 18 Studies.
- Prepare one of the following works or a major work of similar scope and difficulty:
- Bozza, Improvisation et Caprice
- Bozza, Inpromptu et Danse
- Creston Sonata
- Dubois Concerto
- Ibert, Concertino da Camera
- Debussy/Rousseau, Rhapsody
- Francaix,Cinq Danses Exotiques
- Glazounov, Concerto
- Hartley Concerto
- Hindemith Sonata
- Heiden Sonata
- Maurice, Tableaux de Provence
- Milhaud, Scaramouche
- Noda, Improvisation I
- Van Delden, Sonatine
- Wilder Sonata
- Villa Lobos, Fantasia
Master of Music
Applicants are required to submit prescreening recordings by December 1. Upload the videos to the Digital Portfolio section of the College of Music Supplemental Application. You will be given access to the Digital Portfolio after the College of Music Supplemental Applicantion is submitted. The recording should contain two contrasting works and quality must be sufficient to make a reasonable judgment of ability. Recordings will be reviewed by a committee from the woodwind area beginning the week following the December 1 deadline. You will be notified via email as to whether or not you have been invited for a live audition. Recordings received after December 1 will be considered on a case-by-case basis.
Live Audition:
- All major, natural, harmonic, and melodic minor scales and arpeggios demonstrating the complete normal range of the instrument.
- Prepare two works, one a selection of your choice and one from the following list:
- Albright, Sonata
- Bassett, Duo Concertante
- Berio, Sequenza IX b or VIIb
- Bolcom, Lilith
- Denisov, Sonate Leduc
- Feld, Sonata for alto saxophone and piano
- Finney, Sonata (Viola)
- Gotkovski, Variations Pathetiques
- Gotkovski, Brilliance
- Husa, Concerto
- Husa, Elegie et Rondeau
- Lennon, Symphonic Rhapsody
- Martin, Ballade
- Martino, Concerto
- Maslanka, Sonata
- Robert, Cadenza
- Ruggiero, Interplay
- Sancan, Lamento and Rondo
- Stockhausen, InFriendship
- Subotnick, In Two Worlds
- Swerts, Klonos
- Villa Lobos, Fantasia
- Wuorinen, Divertimento
Doctor of Musical Arts
Applicants are required to submit prescreening recordings by December 1. Upload the videos to the Digital Portfolio section of the College of Music Supplemental Application. You will be given access to the Digital Portfolio after the College of Music Supplemental Applicantion is submitted. The recording should contain two contrasting works and quality must be sufficient to make a reasonable judgment of ability. Recordings will be reviewed by a committee from the woodwind area beginning the week following the December 1 deadline. You will be notified via email as to whether or not you have been invited for a live audition. Recordings received after December 1 will be considered on a case-by-case basis.
Live Audition:
- Prepare a thirty minute lecture-recital of three or four contrasting pieces providing brief oral program notes for each piece.
- Click here for general information about the DMA audition format.
Performance Diploma
Applicants are required to submit prescreening recordings by December 1. Upload the videos to the Digital Portfolio section of the College of Music Supplemental Application. You will be given access to the Digital Portfolio after the College of Music Supplemental Applicantion is submitted. The recording should contain two contrasting works and quality must be sufficient to make a reasonable judgment of ability. Recordings will be reviewed by a committee from the woodwind area beginning the week following the December 1 deadline. You will be notified via email as to whether or not you have been invited for a live audition. Recordings received after December 1 will be considered on a case-by-case basis.
Live Audition:
- Prepare a full-length recital consisting of four contrasting pieces (total audition will be 30 minutes in length) that represents a variety of compositional genres. Written program notes of the works should be prepared and presented to the committee.
- One of the compositions presented must be a concerto performed from memory. Works prepared should prepared in their entirety.
- Choose one concerto, two sonatas, and an unaccompanied work from each of the below categories (complete works only):
Concertos (performed by memory)
Bassett, Concerto
Boutry, Divertimento
Bolcom, Concert Piece
Creston, Concerto
Dahl, Concerto
Dubois, Concerto
Eychenne, Concerto
Feld, Concerto for soprano saxophone and piano
Finney, Concerto for saxophone and wind orchestra
Gotkovski Concerto
Husa, Concerto
Husa, Elegie et Rondeau
Ibert, Concertino da Camera
Larsson, Konsert, opus 14
Lennon, Symphonic Raphsody
Martin, Ballade
Muczynski, Concerto
Ruggiero, Concerto for saxophone and orchestra
Schmitt, Legend, opus 66
Tomasi, Ballade
Tomasi, Concerto
Villa Lobos, Fantasia, opus 640
Sonatas and works with piano
Alessandrini, La Boîte de Pandore
Albright, Sonata
Bassett, Duo Concertante
Babbitt, Whirled Series
Bolcom, Lilith
Debussy, Rapsodie (V. David or E. Rousseau transcription)
DeCruck, Sonata in c-sharp minor
Desenclos, Prelude, Cadence et Final
Freund, Skyscrapings
Gotkovski, Variations Pathetiques
Harbison, San Antonio Sonata
Lennon, Distances Within Me
Maslanka, Sonata
Rogers, Nature of this Whirling Wheel
Ruggiero, Interplay
Rueff, Concertino
Sancan, Lamento and Rondo
Schulhoff, Hot-Sonate, opus 70
Shrude, Renewing the Myth
Swerts, Klonos
Wuorinen, Divertimento
Unaccompanied solo works
Berio, Sequenza VII b
Berio, Sequenza IX b
Rueff, Sonata
Scelsi, Tre Pezzi
Stockhausen, In Freundschaft
Tanada, Mysterious Morning III
Towar, Wings