Topics of DMA Documents

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Document Topics Since 2003

Sarah Graham Gwyneth Walker’s Songs for Women’s Voices

Jason Thoms Tempo Relationships and Editing in Sixteenth-Century Polyphony: A Study and Compilation of Existing Research

Andrew Crane French and Latin Choruses in The Lark by Leonard Bernstein

Sean Vogt The Choral Music of Geoffrey Bush (1920-1998)

Jeff Buettner Gypsy Vocal Music of Ukraine

Joel Navarro A Style Study on Selected Choral Works of Ramon Pagayon Santos

Janice Dudley Marriage of Text and Tune in Alice Parker's Sweet Manna

Jonathan Palant Unifying a Nation: Male Singing Societies and Part Songs in Nineteenth-Century Germany with New Musical Editions

Scott Hochstetler “The Pity of War:” A Study of Vaughan Williams’s Federalist Dona Nobis Pacem and Britten’s Pacifist War Requiem

Brent Wells The Choral Folksong Settings of Percy Grainger

David Howard Patron of the Choral Art: Walter Hussey's Commission of Choral Works In the Twentieth Century

Clint Desmond Matthias Werrecore's La Bataglia Taliana. Transcription and Conductor's Resource

Tim McMillin The A Cappella Choral Ensemble Tradition in America and Its Influence upon the Choral Canon of the 20th Century: An Examination of the Influence of Selected Scores Commissioned by the New Choral Music Program (Choral Ventures) and the Dale Warland Singers

Simon Lee Achieving Quality in Musical Worship in the Catholic Church

Zach Durlam Echoes of Handel in the Choral-Orchestral Psalm Settings of Felix Mendelssohn Bartholdy

Trent Patterson Charlene Archibeque: An Iconic Figure in American Choral Music

Kelly Miller David Brunner's Music for Women's Choirs

Zebulon Highben World War II and Its Impact on Sacred Choral Music: The Lives and Works of Hugo Distler, Jean Berger, and Heinz Werner Zimmermann

Ryan Kelly Carl Friedrich Christian Fasch and His Mass for Sixteen Voices with Performance Edition

Ryan Beeken Alberto Grau: Expressing Globalism

Gerald Custer Metric Flexibility In the Performance of Renaissance Choral Music.

Fox, Derrick “Lord, Give Me Just a Little More Time”: Examining the Seven-shape Note Gospel Singing of African-American Communities in Northwestern Alabama

Tranquilla, Joel Canadian Choral-Orchestral Works from the Last Thirty Years

Ulrich, Brandon Five Magnificat Settings of Padre Martini

Bolding, Randi Forming Interpersonal Relationships with At-Risk Students: Case Study of a High School Choral Conductor-Teacher

Watkins, Frank "I Too Sing America": The Choral Works of Florence B. Price

Bowen, Meredith Sacred Music from the Convents of Seventeenth-Century Italy: Restoration Practices for Contemporary Women's Choruses

Williams, Brandon And They Lynched Him On A Tree: A Critical Analysis

Boyd, Megan A Curated Guide to the Study, Rehearsal, and Performance of Choral Music by Libby Larsen

Fisher, Elizabeth Baldassare Galuppi’s Laudate Pueri in G Major: A Historical Analysis and Performing Edition

Minear, Andrew Graduate Choral Literature Curricula and Pedagogy

Zeuch, Kyle Antonin Dvorak’s Cantata, The American Flag, Op. 102: Performance Solutions in a Modern Context

Cossey, Alyssa Britten as Interpreter: Twentieth-Century Influences on Twenty-First-Century Performance Practice

Voorhees-Hall, Amy The Choral Rehearsal Methodology of Dr. Brad Holmes

Miller, S. Cody Johann Albrechtsberger's "Missa Solennis Pro Coronatione Francisis II” with Performance Edition

Sengin, Jennifer Choral Music from Zimbabwe: Repertoire and Resource Guide for Published Choral Music

Chapin, Clelyn Choral Classroom Management: A Case Study

Michaels, Brennan The Inherent Dichotomy of Good and Evil: An Analysis of Francis Poulenc’s Choral Cycle “Figure Humaine”

Lin, Xiaosha A Conductor’s Guide to Handel’s “Birthday Ode for Queen Anne, HWV 74”