For current students: Fall 2024 Ensembles Audition Information
A wide variety of performance opportunities await our students each year, with orchestras, bands, choirs and opera, jazz nonets and combos, small ensembles, and more.
A variety of programs and initiatives operate continuously or annually to enhance learning experiences and help students prepare for their future in music.
The MSU College of Music supports and challenges students, values innovation and creativity, and helps every community member achieve professional excellence.
Orchestra and Choirs in the MSU Auditorium.
From at least 1860, music was among the activities pursued by students at the Agricultural College of the State of Michigan, as Michigan State University was then known. Important dates in the early development of the college include:
Jean H. Fickett explored more of the early history of the College of Music in a doctoral dissertation, “A History of the School of Music at Michigan State University” (MSU, 2003) and in this journal article: “A History of Music Education at Michigan State University,” Journal of Historical Research in Music Education 23:2 (April 2002), 119-135.
Leonard Falcone was hired in 1929 by Lewis Richards, head of the music department. He became a national leader in band music and remained with MSU for decades.
Before 1939, music classes met in several different buildings across campus. In that year, the Public Works Administration approved a $90,000 grant for a music building that met less than half of the total cost of $200,000. The remainder of the money was raised from self-liquidating bonds, an idea of Michigan State College president John A. Hannah. (Income from the music program was used to retire the bonds.) The Music Building, Michigan State’s first building designed to serve the liberal arts, was dedicated on December 3, 1939. Lewis Richards, then the head of the Department of Music, received congratulatory telegrams from Herbert Hoover, Arthur Schnabel, Sergei Rachmaninoff, Fritz Kreisler, and Sol Hurok, among others.
The original band shell on campus sat where Bessey Hall now stands. The stage was flanked by two Samuel Cashwan sculptures. The one on the left, Three Musicians, was restored in 2021 and sits today on Music Building property next to Adams Field.
Three Musicians by Samuel Cashwan, returns to Adams Field, after restoration by Ken Thompson, owner of Flatlanders Sculpture Supply and Art Galleries of Toledo Ohio and crew.
Adapted from “MSU Campus Buildings, Places, Spaces” by Linda O. Stanford and C. Kurt Dewhurst (Michigan State University Press, 2002):
“As a Public Works Administration project, this brick building embodies the exterior design simplicity that emerged in the 1930s. A prominent hipped roof caps the rambling floor plan. Limestone trim visually links the different sections of the building. While the overall massing appears to be a spare interpretation of Collegiate Gothic, the relatively large and metal-framed windows allude to future stylistic developments. Subtle decorative elements are Art Deco. They include streamlined limestone reliefs that enframe the southwest entrance as symbols of dance and performance and introduce the viewer to the world of music within the building. Samuel Cashwan, who supervised the Michigan sculpture program for the Works Progress Administration, produced these reliefs to make art a part of people’s lives. In the courtyard, Cashwan’s Cubist “Three Musicians” (pictured) perform. This cast-concrete sculpture includes a bass player, drummer, and saxophonist. It was one of a pair of sculptures the Class of 1939 gave to flank the stage of the Art Deco band shell of 1938, which once occupied the grounds where Bessey Hall now stands.”
“The Music Practice Building, built in 1968, is a tall, International Style design that stands unadorned amidst the trees on the periphery of the oak opening. Its brick and concrete exterior complements its “partner” across the courtyard, the Music Building. Prominent concrete projecting piers heighten the overall square plan and, on a sunny day, transform the facades into a dramatic interplay of light and dark verticals. The Music Practice Building is best seen from West Circle Drive by looking north across the lush grotto known as Sleepy Hollow. Until the early twentieth century, a wooden wagon bridge crossed this grotto or ravine, most likely in the same way that West Circle Drive does today. In Sleepy Hollow, an extension of the W. J. Beal Botanical Garden, the special growth requirements of acid soil plants are met. In the 1850s, clay was dug here to make the brick for the first campus building, College Hall. Several decades ago, students gathered here to burn freshman caps and senior textbooks. When classes are in session, it is possible to walk on this part of campus and hear a variety of musical sounds before it is possible to actually see either the Music Practice Building or the Music Building through the trees.”
As a Public Works Project facility, construction on the Music Building began in 1938. It was the first facility built for the sole use of music study.