- Beethoven, Leonore Overture 3 (main solo)
- Beethoven, Symphonies 3,4,7
- Brahms, Symphonies #4 (main solo, 4th mvt.)
- Debussy, Afternoon of a Faun
- Dvorak, Symphony 8 (last mv.t solo)
- Hindemith, Symphonic Metamorphoses (3rd mvt. solo)
- Mendelssohn, Scherzo from A Midsummer Night’s Dream
- Prokofiev, Peter and the Wolf, Classical Symphony (both complete)
- Ravel, Daphnis and Chloe Suite 2 (main solo)
- Rimsky-Korsakov, Capriccio Espagnol (cadenza)
- Saint-Saens, Voliere (from Carnival of the Animals)
- Stravinsky, Firebird Suite
- Welcome
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- Master of Music in Collaborative Piano
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- Master of Music in Jazz
- Master of Arts in Musicology
- Master of Music in Music Education (Summer Program)
- Master of Music in Music Theory
- Master of Music in Performance
- Master of Music in Piano Pedagogy
- Performance Diploma
- How to Apply and Timeline
- Tuition and Funding Opportunities
- International Applicants
- English Language Requirements for International Graduate Applicants
- Programs & Degrees
- Doctoral Admissions
- Programs & Degrees
- Doctor of Musical Arts in Collaborative Piano
- Doctor of Musical Arts in Composition
- Doctor of Musical Arts in Choral Conducting
- Doctor of Musical Arts in Orchestra Conducting
- Doctor of Musical Arts in Wind Conducting
- Doctor of Philosophy in Music Education
- Doctor of Musical Arts in Performance
- Performance Diploma
- How to Apply and Timeline
- Tuition and Funding Opportunities
- International Applicants
- English Language Requirements for International Graduate Applicants
- Programs & Degrees
- Graduate Certificate for Enrolled Music Students
- Admissions Process for Enrolled Students
- Auditions
- After Acceptance
- Visiting Our Campus
- Admissions Events
- Contact Admissions
- FAQs
- Welcome
- Explore Music
- Undergraduate Admissions
- Master’s Admissions
- Programs & Degrees
- Master of Music in Collaborative Piano
- Master of Music in Composition
- Master of Music in Conducting (Choral)
- Master of Music in Conducting (Orchestral)
- Master of Music in Conducting (Wind)
- Master of Music in Jazz
- Master of Arts in Musicology
- Master of Music in Music Education (Summer Program)
- Master of Music in Music Theory
- Master of Music in Performance
- Master of Music in Piano Pedagogy
- Performance Diploma
- How to Apply and Timeline
- Tuition and Funding Opportunities
- International Applicants
- English Language Requirements for International Graduate Applicants
- Programs & Degrees
- Doctoral Admissions
- Programs & Degrees
- Doctor of Musical Arts in Collaborative Piano
- Doctor of Musical Arts in Composition
- Doctor of Musical Arts in Choral Conducting
- Doctor of Musical Arts in Orchestra Conducting
- Doctor of Musical Arts in Wind Conducting
- Doctor of Philosophy in Music Education
- Doctor of Musical Arts in Performance
- Performance Diploma
- How to Apply and Timeline
- Tuition and Funding Opportunities
- International Applicants
- English Language Requirements for International Graduate Applicants
- Programs & Degrees
- Graduate Certificate for Enrolled Music Students
- Admissions Process for Enrolled Students
- Auditions
- After Acceptance
- Visiting Our Campus
- Admissions Events
- Contact Admissions
- FAQs
Flute Audition Material (PD)
Performance Diploma
Applicants are required to submit prescreening recordings by December 1. Upload the videos to the Digital Portfolio section of the College of Music Supplemental Application. You will be given access to the Digital Portfolio after the College of Music Supplemental Application is submitted. The recording (video preferred; audio-only acceptable) should contain two contrasting works and quality must be sufficient to make a reasonable judgment of ability. Recordings will be reviewed by a committee from the woodwind area beginning the week following the December 1 deadline. You will be notified via email as to whether or not you have been invited for a live audition. Recordings received after December 1 will be considered on a case-by-case basis.
On-campus Audition Requirements
Although repertoire selection and performance in the audition bear great importance, final acceptance is based on the demonstration of talent, dedication, and the desire to achieve excellence rather than solely upon the level of proficiency already achieved.
Choose ONE work from each of the lists below
- Boccherini, Concerto in D
- Bach, C.P.E., Concerto in d minor
- Bach, J.S., Suite in b minor
- Griffes, Poem
- Hanson, Serenade
- Hue, Fantasie
- Ibert, Concerto
- Khachaturian, Concerto
- Liebermann, Concerto
- Martin, Ballade
- Mozart, Concerto G or D
- Nielsen, Concerto
- Quantz, Concerto in G
- Reinecke, Concerto in DRivier, Concerto
- Rodrigo, Concierto pastoral
- Rouse, Concerto
- Telemann, Suite in a minor
- Berio, Sequenza
- Bozza, Image
- Debussy, Syrinx
- Dick, Flying Lesson
- Ferroud, Trois Pieces
- Ibert, Piece
- Kuhlau, Fantasia in D
- Marais, Les Folies d’Espagne
- Telemann, Fantasias
- Varese, Density 21.5